Emberfall Directive Client Stonepeak View
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Stonepeak candypop Frostbyte Battleline Westline Lumen Films Pixelworks starfall Steelhill Astraroute
Selected Work
Emberfall Directive 
Sugar Meadows Client Candypop View
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Glacier Drift Client Frostbyte View
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Storm Vanguard Client Battleline View
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The Composer
Fourteen years in, my days run from pocket-sized puzzle tunes to full-orchestra battle cries — made with teams like Stonepeak, Lumen Films and Frostbyte, plus the Vale Tones sample line I craft for working composers everywhere.
I write where narrative meets play: sweeping themes that lift a picture, and living, reactive scores that shift with every choice you make.
It all starts at the piano in my Barcelona room — a theme sketched by hand, mocked up overnight, then grown with live players, location recordings and engine-ready stems until the world sounds inevitable.
My storyStudio Notes
Hunting real ice sounds at the top of the world
Fourteen frozen days with recorders and wind covers built a frontier soundscape no sample pack holds.
Inside the mix: scoring music for VR worlds
Virtual reality puts the listener inside the orchestra — here is how we staged space, movement and mix.
Why the main theme needed a living string section
Eight players, one room, one unforgettable take — why live strings beat every library we own.
Got a film or game brewing?